This series stems from research around an abandonment to drawing and a transition from a rational mastery of drawing to a logic of deconstruction, uncertainty, novelty, unpredictability, chaos, indeterminacy and alteration.
Therefore, the first constraints of drawing are excluded in order to have a wider experimental space and to set up new creative processes and new ways of envisaging the creation of visuals.
It is structured around several major axes:
• Uncertainty as a creative engine
• Programming the uncertain
• Aesthetics of the error
• Creating the error